What made the Jewish contribution unique in the development of the 1950s vocal group sound and rock and roll in general was the ability to extract and internalize the African American experience and make their music mainstream. The Jewish contribution to doo-wop lies primarily in the area of ​​songwriting and the corporate music business in general. Unlike their musical counterparts, the Italians and Puerto Ricans, who were primarily singers; The Jewish contribution took on the complex ethnic-racial mix of fusing a new sound.

The fundamental Jewish contribution to the image of the rhythm and blues vocal group lies in the production, songwriting, and scene development of the vocal harmony group. Cahill writes: “Without the Jews, we would see the world through different eyes, we would listen with different ears, we would even feel with different feelings.”

The admiration and promotion of black talent is underestimated. Pruter writes: “Vocal harmony groups have always constituted one of the richest traditions in black music, an art form as deeply ingrained as jazz, blues or gospel.” two

However, when one takes a cursory glance at record labels during the early days and development of rock and roll, particularly the panorama of vocal group harmony, one can see that most acts, record labels, and songs written during that time period (1945-1965)) had a Jewish connection.

The most recognizable groups and labels came from the three major epic centers that produced the vocal group’s street corner sound: New York, Chicago, and Los Angeles. It was in these cities that the new art form was unveiled and the onomatopoeic term we use today, doo-wop, finally emerged. Although the term doo-wop emerged in the late 1960s and early 1970s, the term used here in this essay defines the harmony style of an R&B vocal group. Jewish entrepreneurs who featured black talent and promoted the new sound founded many of the major record labels during the heyday of the vocal group era of the 1950s.

The sound of the doo-wop in general invoked a traditional cultural worldview that became the hallmark of black culture at the time. The songs voiced by black groups reflected the cultural innocence and coming of age that drew youth from urban communities. The lyrics and musical harmony style appealed to urban white, slightly middle-class sentiments, while at the same time keeping their music within the perimeter of the black community.

A considerable number of Jewish entrepreneurs had a massive impact on the development of the sound of the rhythm and blues vocal group and rhythm and blues in general. Jewish entrepreneurs impacted the sound of the fledgling vocal group of the 1950s in a dynamic way. One such person is Herman Lubinsky, (Savoy Records) grandfather of TJ Lubinsky, famous PBS doo-wop host. Lubinsky produced and recorded Little Anthony and the Imperials, Debutantes, Carnations, Jive Bombers, Falcons and the Robins. Lubinsky on the road to the music business paved the way for unnoticed and unrecorded groups to seek musical stardom through the emerging new street corner sound.

The Branun family that owns Deluxe Records had a host of strong talents at their disposal. Among some of his best acts were: Federals, Otis Williams and the Charms, Serenades and the Quails with Bill Robinson. All of these acts were channeled to venues like the Apollo Theater in Harlem, the Olympia Arena in Detroit, and Alan Freed shows.

The Jerry Leiber and Mike Stroller team, the Leiber and Stroller team made a multitude of hits for a host of artists. As a team, they were able to overcome the barriers of racism in the music industry and bring out black talent with their musical compositions.

Alan Freed, the king of DJs, who broke the color barrier by introducing black vocal groups to audiences on radio, film and television and set the stage for future DJs. His influence and introduction to rock and roll and vocal groups in particular, provided a cultural climate in which young white people could hear and experience the evolution of the new modus operandi that was beginning to shape the musical culture of young people.

Chess Records, Chicago’s premier record company, founded by Leonard and Phil Chess, became the quintessential record label of the 1950s, producing not only bands like Flamingos and Moonglows, but also great artists like Bo Diddley, Aretha Franklin. and Chuck Berry.

Eventually, record producer and songwriter Phil Spector developed the concept of “Wall Of Sound,” which still stands as a monument to pop music. All of these individuals contributed to the R&B sound and harmony of the vocal group as a whole. In the end, the Jewish contribution to rock and roll and the doo-wop sound is an act of love. Without your contribution, we would be like a ship at sea without a rudder.

1. The gifts of the Jews: how a tribe of desert nomads changed the way everyone thinks and feels

Thomas Cahill, Nam A. Talese- Doubleday- Page 3

2. Doo Wop The Chicago Scene

Robert Pruter, University of Illinois Press -Pg. xxx

© 2007 All rights reserved

Abraham J. Santiago is co-author with Steven J. Dunham of the popular book Acappella Street Corner Vocal Groups: A Brief History And Discography Of 1960s Singing Groups